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Poem
I read another one I can't seem to find, any help would be appreciated. I beleive I read it on this forum about a year and a half ago. It was written by a high school girl I believe aimed at her teachers. there was some line in it about her IEP, or something like that. Hope someone can help me locate it. I may have read it in that" attention" magazine... Our child advocate sent us this. Enjoy! DR. SEUSS' IEPS (Rhythm from Green Eggs & Ham) Do you like these IEPs? I do not like these IEPs I do not like them, Geez Louise We test, we check We plan, we meet But nothing ever seems complete Would you, could you like the form? I do not like the form I see Not page 1, not 2, not 3 Another change A brand new box I think we all Have lost our rocks Could you all meet here or there? We could not all meet here or there We cannot all fit anywhere! Not in a room Not in the hall There seems to be no space at all Would you, could you meet again? I cannot meet again next week No lunch, no prep Please hear me speak No not at dusk. No not at dawn At 4 p.m. I should be gone Could you hear while all speak out? Would you write the words they spout? I could not hear, I would not write This does not need to be a fight Sign here, date there Mark this, check that Beware the student's ad-vo-cat(e) You do not like them So you say Try again, try again! And you may If you will let me be I will try again You'll see Say! I almost like these IEPs! I think I'll write six thousand three And I will practice day and night Until they say "You've got it right!" Anonymous Brought to you for your enjoyment by The Autism Society of California, ASA by Robert Service(1907)
There’s a race of men that don’t fit in, A race that can’t sit still; So they break the hearts of kith and kin, And they roam the world at will. They range the field and they rove the flood, And they climb the mountain’s crest; Theirs is the curse of the gypsy blood, And they don’t know how to rest. If they just went straight they might go far; They are strong and brave and true; But they’re always tired of the things that are, And they want the strange and new. They say: “Could I find my proper groove, What a deep mark I would make!” So they chop and change, and each fresh move Is only a fresh mistake. And each forgets, as he strips and runs With a brilliant, fitful pace, It’s the steady, quiet, plodding ones Who win in the lifelong race. And each forgets that his youth has fled, Forgets that his prime is past, Till he stands one day, with a hope th at’s dead, In the glare of the truth at last. He has failed, he has failed; he has missed his chance; He has just done things by half. Life’s been a jolly good joke on him, And now is the time to laugh. Ha, ha! He is one of the Legion Lost; He was never meant to win; He’s a rolling stone, and it’s bred in the bone; He’s a man who won’t fit in.
The vulnerable child
She stands away from you, Your odd eyes consider she, You amongst your friends Use the same eye to see.
You share your private joke, And that it mocks her, she does fear you amongst your friends use the same ear to hear.
And when she walks away a fun event did you all share you amongst your friends use the same heart to care.
Despite all your eyes, ears and hearts, you still don't see, hear or care That in a corner she sits all alone, Trying to patch the hole in her heart you have torn there.
God Bless the ADHD child...
A poem, by well... Me:) Edited by Dave2u4now on 28 January 2006 at 10:50am Growing Up With ADD/ADHDBy Garrett Age 16All the thoughts that they had The Old Men Come to See Me The old men come to see me. And they are wary. As men usually are. They will submit to my touch. And can't imagine that the hand of another man could ever help much, or for long. I wait, imagining myself pliable. And when the sad burden of their life rises to the surface, that is what I finally palpate. They begin to move me with their unrequited longing to rest in a place no one has encouraged them to go. And I simply follow them there. "I'm doing better". They say, "You've done a good job". Like a key in a lock, their words open my heart. And I know I can never get enough of this. The old men come to see me And for that, I will always remain here. Barrett L. Dorko Where I Need To BeBy SheilaMy name is Bobby I have A.D.D., The Boy with Ants in his Pants The boy with ants in his pants The boy with ants in his pants The boy with ants in his pants The boy with ants in his pants The boy with ants in his pants The boy with ants in his pants The boy with ants in his pants The boy with ants in his pants The boy with ants in his pants The boy with ants in his pants The boy with ants in his pants So you found that you have ADD So you found that you have ADD So you’ve found that you have ADD So you wonder what someday you’ll be? Just whistle while you work And cheerfully together we can tidy up the place So hum a merry tune It won't take long when there's a song to help you set the pace And as you sweep the room Imagine that the broom is someone that you love And soon you'll find you're dancing to the tune (Spoken: Oh, no, no, no, no! Put them in the tub) When hearts are high the time will fly so whistle while you work *(Another version)* Just whistle while you work Put on that grin and start right in to whistle loud and long Just hum a merry tune Just do your best and take a rest and sing yourself a song When there's too much to do Don't let it bother you, forget your troubles, Try to be just like a cheerful chick-a-dee And whistle while you work Come on get smart, tune up and start To whistle while you work “Beauty Tips”
for attractive lips, speak words of kindness… for lovely eyes, seek out the good in people. for a slim figure, share your food with the hungry. for beautiful hair, let a child run his/her fingers through it once a day. for poise, walk with the knowledge that you never walk alone… people, even more than things, have to be restored, renewed, revived, reclaimed, and redeemed; never throw out anyone. Audrey Hepburn *** POEMReading to the Childrenby Herbert Morris The first child asks me: Are these poems yours?
The second asks: Where do you get ideas?
The third child says: I have always loved poems.
The fourth child wonders: What makes poems poems?
The fifth one asks: Which of them is your favorite?
The sixth one asks me: Is there ice cream later?
The seventh child asks: Is a poem dreaming? To the first, who now fidgets with her hair,
inspects her nails, her dress, who may, in fact,
have little need to know what she has asked,
for whom the question, as well as the answer,
may well prove merely one more temporary
distraction in a day filled with distractions,
I say: Yes, these are poems I have written.
I could read no one else’s half so clearly,
with as much feeling, as I read you these;
that, more than anything, may be what I would
leave with you, feeling—music, of course, meaning,
certainly, but first feeling, feeling foremost. The second child, holding his head to one side
as he speaks, pokes a finger in his ear,
looks at me as a child looks at “a poet”
who may never before have seen a poet,
seems in need of an answer to his question,
an answer I do not have, yet I answer:
I may not know where an idea comes from;
perhaps for days a phrase repeats itself,
perhaps a title, words which, isolated,
lack all meaning (“blue plums”); or situations
present themselves which seem, somehow, imbued
with those lights, half-lights, shadings, which address you
intimately, beyond all explanation,
whispering in your ear of resonance,
promising difficulty, complication.
I am able to glimpse, half-glimpse, its contours,
feel the weight it displaces (dimly, vaguely).
I am moving from darkness into darkness,
from mystery to deeper mystery;
what I see seems no plainer, seems no clearer,
the deeper I go, than it seemed, but rather
infinitely more complicated, darker.
If my answer succeeds in making nothing
simpler than it was, fails, utterly fails,
at illumination, it will convey
an approximation of my own state. The third child smiles, nods her head up and down,
this way and that, assenting, acquiescing,
wanting me to agree, needing to hear
I, too, the poet, too, “always loved poems.”
I am unable to confess that to her.
To the nodder I say: I did not love them
for what may well have been too long a time.
Apart from jingles we were taught at school,
I did not know just what a poem was,
what poetry might be. Only much later,
having by will, with effort, I suppose,
struggled to lead myself directly to it,
to bring myself to it, at last confront it
(convinced, I now suspect, I needed, needed,
to know what poems were, or poetry),
applied myself—what philosopher said
“It is all a matter of application”?—
read poet after poet, some too facile,
some too windy, some few whose lines I cherished,
those who drew me closer and closer to them.
I have not, I admit, “always loved poems,”
but those I came to love I live with, fiercely. To the fourth child, sitting cross-legged before me,
light-haired, green-eyed, quite puzzled, Lady Wisdom
in a reflective mood, sensing which questions
beg to be asked, which never need be asked,
wanting, as any bright child wants, to know
why what I have been reading are called poems
(rather than maps, or cats, or inundations),
I convey, once more, doubt, uncertainty.
These are poems because I call them that,
because, when I think of them, I think “poem.”
Should it please you to call them something else,
cucumbers, avocados, I accept that:
what you will name a poem is a poem,
becomes a poem, in the act of naming.
If this seems arbitrary to you, lacking
precision, the sheer weight of scientific
provability, it will have succeeded
in translating something of our dilemma.
We begin in ignorance, move through darkness
into the darkness, end in ignorance.
Poems are that, precisely: expeditions
mapping terrain where we have never been,
the landscape of the country of our blindness. The fifth child, wearing white shorts and a smile
from here to there, and past that, wanting neither
the feel of things, their tone, their texture, nor
the consolations of exactitude,
statistics which, in time, attach themselves
to the object, whatever its name, under
scrutiny at the moment, asks my favorite
(as though that mattered), could as well have asked
the exact height and weight of each, how many
teeth each possesses. This is my response:
After completing “A,” I liked it, liked it
better, perhaps, than what had come before it,
but when “B” seemed to drive a little further
into the dark surrounding it (a progress
meager, at best, those slow, minute advances
barely perceptible at such close range),
“A” was replaced by “B,” however briefly.
Now I feel about “B” that it may have said
too much and, at the same time, said too little,
went not as far as, once, it seemed to go,
not as deep as perhaps it might have gone.
Each poem seemed, just finished, what I wanted,
thought I wanted, viewed from this distance, middle-
ground, back-ground, none seems what I had intended. The sixth child blinks his eyes, swivels his head,
left to right, right to left, then rolls his tongue,
smacks his lips, makes a sound one-part delight
to one-part sheer boyish anticipation.
In the light of the values he assigns,
fails to assign, reminded once more of
the place of words, the homelessness of words
(“Words, in the end, words alone, are what matter,”
that philosopher said, or might have said),
I feel it necessary to respond:
Ice cream? Of course there will be ice cream later,
more flavors than you knew existed, cookies
shaped like cottages (plumes of chocolate coiling
from crumb-top chimneys), candied apples, plum tarts.
By the time the desserts are brought and passed
(I suggest this for your consideration,
no more than that, one possibility
among the many which may offer themselves),
what you have heard (and, hearing, felt) may well seem
more astonishing than the crisps, the pastries,
the butterscotch napoleons, the rum balls,
mocha parfaits, coconut wafers, jam cakes,
the goblets of vanilla-laced-with-mangoes,
brought on trays from the pantry. One can know that
only at the conclusion, having sampled,
one by one, what was deftly laid before you,
poems read, plates passed, music heard, half-heard,
a judgment reached, or not reached, a choice made. The seventh child addresses principles
fundamental, it would seem, to the context.
This seventh child has learned what I have not:
how not to be seduced by strains of music
glimmering in the words, above, beneath,
by floats, delights, whips, fizzes, freezes, sundaes,
concern for logic, reason, meaning, order,
for the demands of shapeliness, proportion.
He scans the sky with those dark eyes, he calls
a bird by its true name (a “ring-tailed swallow”),
he claims to hear the pounding of the surf,
the sweep of rain across the dazzling air,
although the sea lies days and nights from here
and storms have not been forecast for tomorrow.
I answer awkwardly, and yet I answer:
I hesitated when it was proposed
I read to you from poems I had written,
not because I would have denied you music,
not because I would not have had them touch you,
could they have touched you, but because my dreams
now seem the subject, have become the subject.
To read these poems to you is to tell you
what I dream, what my name is, who I may be. Last night I dreamt a poet read to children,
seven children, each of whom asked a question
having, for the most part, to do with poems.
The lines the poet read were his responses,
his attempts at responses, to those children,
each of his answers asked more than it answered.
The poet wore my face, his clothes were my clothes,
the voice was mine, pitch, range, inflection, timbre,
the dream-words in that dream-speech were these words.
I was the man who stood before them reading,
you were the children, you, the seven children.
These were the lines I dream-spoke, line by line,
this was the poem, this, the very poem.
Why Women Cry A little boy asked his mother, "Why are you crying?" "Because I'm a woman," she told him. "I don't understand," he said. His Mom just hugged him and said, "And you never will." Later the little boy asked his father, "Why does mother seem to cry for no reason?" "All women cry for no reason," was all his dad could say. The little boy grew up and became a man, still wondering why women cry. Finally he put in a call to God. When God got on the phone, he asked, "God, why do women cry so easily?" God said, "When I made the woman she had to be special. I made her shoulders strong enough to carry the weight of the world, yet gentle enough to give comfort. I gave her an inner strength to endure childbirth and the rejection that many times comes from her children. I gave her a hardness that allows her to keep going when everyone else gives up, and take care of her family through sickness and fatigue without complaining. I gave her the sensitivity to love her children under any and all circumstances, even when her child has hurt her very badly. I gave her strength to carry her husband through his faults and fashioned her from his rib to protect his heart. I gave her wisdom to know that a good husband never hurts his wife, but sometimes tests her strengths and her resolve to stand beside him unfalteringly. And finally, I gave her a tear to shed. This is hers exclusively to use whenever it is needed." "You see my son," said God, "the beauty of a woman is not in the clothes she wears, the figure that she carries, or the way she combs her hair. The beauty of a woman must be seen in her eyes, because that is the doorway to her heart - the place where love resides." I woke up early today, excited over all I get to do I have responsibilities to fulfil today. Today.. Today.. Today.. Today.. Today.. Today.. Today.. Today.. Today.. Today.. What today will be like is up to me. Have a Great Day... Author unknown life tips
Mean Moms i dont know who wrote this If If you can keep your head when all about you If you can dream — and not make dreams your master; If you can bear to hear the truth you’ve spoken If you can make one heap of all your winnings If you can force your heart and nerve and sinew If you can talk with crowds and keep your virtue, If |
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